Difference between revisions of "National Gramophonic Society discography"
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It is part of the wiki [[Classical 'Society' Records by Nick Morgan]]. | It is part of the wiki [[Classical 'Society' Records by Nick Morgan]]. | ||
| + | |||
| + | It is best viewed on a large monitor, in landscape orientation. Unfortunately, it is not easy to consult on small screens. | ||
In future, it is hoped to publish an additional page dedicated to each issue, with more information about its production, contents and reception. | In future, it is hoped to publish an additional page dedicated to each issue, with more information about its production, contents and reception. | ||
| − | For an account of the | + | For an account of the NGS itself, please see [[National Gramophonic Society]]. |
For dates of creation and latest update, please see 'Page information' in left sidebar. | For dates of creation and latest update, please see 'Page information' in left sidebar. | ||
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|(iv) Rondo. Poco Allegretto e grazioso [part 3]||Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II)||<div style="text-align: center;">6</div>||<div style="text-align: center;">GS 30</div>||<div style="text-align: center;">c. July 1925</div>||<div style="text-align: center;">ac</div>||Parlophone||Parlophone studio,<br />City Road, London||<div style="text-align: center;">DD+</div>||<div style="text-align: center;">12" / 30 cm</div> | |(iv) Rondo. Poco Allegretto e grazioso [part 3]||Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II)||<div style="text-align: center;">6</div>||<div style="text-align: center;">GS 30</div>||<div style="text-align: center;">c. July 1925</div>||<div style="text-align: center;">ac</div>||Parlophone||Parlophone studio,<br />City Road, London||<div style="text-align: center;">DD+</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
|- | |- | ||
| − | |<span class="plainlinks">[https://en.wikipedia.org/wiki/Eugene_Aynsley_Goossens '''Goossens | + | |<span class="plainlinks">[https://en.wikipedia.org/wiki/Eugene_Aynsley_Goossens '''Goossens''', Eugene]</span> [III] <span class="plainlinks">[https://imslp.org/wiki/2_Sketches,_Op.15_(Goossens,_Eugene) ''Two Sketches'' Op.15]</span> –<br />(i) ''By the Tarn''||[[Music Society String Quartet]]<br />(Mangeot, Pecker, Berly, Barbirolli)||<div style="text-align: center;">4</div>||<div style="text-align: center;">GS 17<sup>2</sup></div>||<div style="text-align: center;">c. May 1925</div>||<div style="text-align: center;">ac</div>||Parlophone||Parlophone studio,<br />City Road, London||<div style="text-align: center;">DD–</div>||<div style="text-align: center;">12" / 30 cm</div>||Filler. Coupled by mistake, against wishes of André Mangeot<ref>'[...] would it be possible to get the Lament of Tomlinson on 12 inch put together[?] with the Brahms 6<sup>tet</sup> of Spencer Dyke and get our Goossens By the Tarn go on the back of Gibbons 3,9'<br />Annotation in André Mangeot's hand on MS letter from Robert Gathorne-Hardy to Mangeot, dated 23 December 1925, André Mangeot Collection, Royal College of Music, London</ref> |
|} | |} | ||
| Line 240: | Line 242: | ||
|(ii) Adagio [part 3]||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1071-2</div>||<div style="text-align: center;">15 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">JJ–</div>||<div style="text-align: center;">12" / 30 cm</div> | |(ii) Adagio [part 3]||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1071-2</div>||<div style="text-align: center;">15 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">JJ–</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
|- | |- | ||
| − | |(ii) Adagio [part 4]<br />(iii) Scherzo. Presto||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1072-2</div>||<div style="text-align: center;">15 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">KK+</div>||<div style="text-align: center;">12" / 30 cm</div> | + | |(ii) Adagio [part 4]<br />(iii) [part 1] Scherzo. Presto||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1072-2</div>||<div style="text-align: center;">15 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">KK+</div>||<div style="text-align: center;">12" / 30 cm</div> |
|- | |- | ||
| − | |(iii) Trio. Andante sostenuto||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1073-2</div>||<div style="text-align: center;">16 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">KK–</div>||<div style="text-align: center;">12" / 30 cm</div> | + | |(iii) [part 2] Trio. Andante sostenuto||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1073-2</div>||<div style="text-align: center;">16 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">KK–</div>||<div style="text-align: center;">12" / 30 cm</div> |
|- | |- | ||
| − | |(iii) 'Bridge passage leading to' Scherzo. Presto, da capo||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1074-2</div>||<div style="text-align: center;">16 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">LL+</div>||<div style="text-align: center;">12" / 30 cm</div> | + | |(iii) [part 3] 'Bridge passage leading to' Scherzo. Presto, da capo||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1074-2</div>||<div style="text-align: center;">16 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">LL+</div>||<div style="text-align: center;">12" / 30 cm</div> |
|- | |- | ||
|(iv) Allegretto [part 1]||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1075-2</div>||<div style="text-align: center;">16 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">LL–</div>||<div style="text-align: center;">12" / 30 cm</div> | |(iv) Allegretto [part 1]||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1075-2</div>||<div style="text-align: center;">16 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">LL–</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
|- | |- | ||
| − | |(iv) Allegretto [part | + | |(iv) Allegretto [part 2]||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1076-2</div>||<div style="text-align: center;">16 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">MM+</div>||<div style="text-align: center;">12" / 30 cm</div> |
|- | |- | ||
|(iv) Allegretto. Più allegro [part 3]||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1077-2</div>||<div style="text-align: center;">16 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">MM–</div>||<div style="text-align: center;">12" / 30 cm</div> | |(iv) Allegretto. Più allegro [part 3]||Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II)||<div style="text-align: center;">5</div>||<div style="text-align: center;">AX 1077-2</div>||<div style="text-align: center;">16 July 1925</div>||<div style="text-align: center;">ac</div>||Columbia||Columbia studio, Clerkenwell Road, London||<div style="text-align: center;">MM–</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| Line 269: | Line 271: | ||
|[[Tomlinson, Ernest (viola)|'''Tomlinson''', Ernest]]<ref>Ernest Tomlinson (1877-1957), well-known teacher and viola player in several distinguished quartets including the [[Spencer Dyke String Quartet]], is not to be confused with the composer and conductor <span class="plainlinks">[https://en.wikipedia.org/wiki/Ernest_Tomlinson Ernest Tomlinson]</span> (1924-2015)</ref> ''A Lament''||[[Spencer Dyke String Quartet]]<br />(Spencer Dyke, Quaife, Tomlinson, Patterson Parker)||<div style="text-align: center;">4</div>||<div style="text-align: center;">GS 21</div>||<div style="text-align: center;">c. July 1925</div>||<div style="text-align: center;">ac</div>||Parlophone||Parlophone studio,<br />City Road, London||<div style="text-align: center;">EE+</div>||<div style="text-align: center;">12" / 30 cm</div>||Coupled by mistake, against wishes of André Mangeot<ref>'[...] would it be possible to get the Lament of Tomlinson on 12 inch put together[?] with the Brahms 6<sup>tet</sup> of Spencer Dyke and get our Goossens By the Tarn go on the back of Gibbons 3,9'<br />Annotation in André Mangeot's hand on MS letter from Robert Gathorne-Hardy to Mangeot, dated 23 December 1925, André Mangeot Collection, Royal College of Music, London</ref> | |[[Tomlinson, Ernest (viola)|'''Tomlinson''', Ernest]]<ref>Ernest Tomlinson (1877-1957), well-known teacher and viola player in several distinguished quartets including the [[Spencer Dyke String Quartet]], is not to be confused with the composer and conductor <span class="plainlinks">[https://en.wikipedia.org/wiki/Ernest_Tomlinson Ernest Tomlinson]</span> (1924-2015)</ref> ''A Lament''||[[Spencer Dyke String Quartet]]<br />(Spencer Dyke, Quaife, Tomlinson, Patterson Parker)||<div style="text-align: center;">4</div>||<div style="text-align: center;">GS 21</div>||<div style="text-align: center;">c. July 1925</div>||<div style="text-align: center;">ac</div>||Parlophone||Parlophone studio,<br />City Road, London||<div style="text-align: center;">EE+</div>||<div style="text-align: center;">12" / 30 cm</div>||Coupled by mistake, against wishes of André Mangeot<ref>'[...] would it be possible to get the Lament of Tomlinson on 12 inch put together[?] with the Brahms 6<sup>tet</sup> of Spencer Dyke and get our Goossens By the Tarn go on the back of Gibbons 3,9'<br />Annotation in André Mangeot's hand on MS letter from Robert Gathorne-Hardy to Mangeot, dated 23 December 1925, André Mangeot Collection, Royal College of Music, London</ref> | ||
|- | |- | ||
| − | |<span class="plainlinks">[https://en.wikipedia.org/wiki/Orlando_Gibbons '''Gibbons''']</span> [ | + | |<span class="plainlinks">[https://en.wikipedia.org/wiki/Orlando_Gibbons '''Gibbons''']</span> arr. Fellowes(?)<ref>Gibbons' 3-part fantasies probably performed in the arrangement for modern string trio by <span class="plainlinks">[https://en.wikipedia.org/wiki/Edmund_Fellowes Edmund Fellowes]</span>, published by Stainer & Bell, London, 1924</ref><br /><span class="plainlinks">[https://imslp.org/wiki/Fantasia_in_G_minor%2C_VdGS_2.3_(Gibbons%2C_Orlando) Fantasia à 3 VdGS 3]</span><br /><span class="plainlinks">[https://imslp.org/wiki/Fantasia_in_D_minor%2C_VdGS_2.9_(Gibbons%2C_Orlando) Fantasia à 3 VdGS 9]</span>||[[Music Society String Quartet]]<br />(Mangeot, Pecker, Berly, Barbirolli)||<div style="text-align: center;">3</div>||<div style="text-align: center;">GS 18</div>||<div style="text-align: center;">c. May-25</div>||<div style="text-align: center;">ac</div>||Parlophone||Parlophone studio,<br />City Road, London||<div style="text-align: center;">EE–</div>||<div style="text-align: center;">12" / 30 cm</div>||Fantasia No.3 played by violin, viola and 'cello<br />Fantasia No.9 played by two violins and 'cello |
| + | |- | ||
| + | |<span class="plainlinks">[https://en.wikipedia.org/wiki/Orlando_Gibbons '''Gibbons''']</span> arr. Fellowes(?)<br /><span class="plainlinks">[https://imslp.org/wiki/Fantasia_in_D_minor%2C_VdGS_2.6_(Gibbons%2C_Orlando) Fantasia à 3 VdGS 6]</span><br /><span class="plainlinks">[https://imslp.org/wiki/Fantasia_in_D_minor%2C_VdGS_2.8_(Gibbons%2C_Orlando) Fantasia à 3 VdGS 8]</span>||[[Music Society String Quartet]]<br />(Mangeot, Pecker, [Berly,] Barbirolli)||<div style="text-align: center;">3</div>||<div style="text-align: center;">GS 19</div>||<div style="text-align: center;">c. May-25</div>||<div style="text-align: center;">ac</div>||Parlophone||Parlophone studio,<br />City Road, London||<div style="text-align: center;">FF+</div>||<div style="text-align: center;">10" / 25 cm</div>||Fantasias both played by two violins and 'cello but four players credited on disc label | ||
| + | |- | ||
| + | |<span class="plainlinks">[https://en.wikipedia.org/wiki/Eugene_Aynsley_Goossens '''Goossens''', Eugene]</span> [III] <span class="plainlinks">[https://imslp.org/wiki/2_Sketches,_Op.15_(Goossens,_Eugene) ''Two Sketches'' Op.15]</span> –<br />(ii) ''Jack o' Lantern''||[[Music Society String Quartet]]<br />(Mangeot, Pecker, Berly, Barbirolli)||<div style="text-align: center;">4</div>||<div style="text-align: center;">GS 20<sup>3</sup></div>||<div style="text-align: center;">c. May-25</div>||<div style="text-align: center;">ac</div>||Parlophone||Parlophone studio,<br />City Road, London||<div style="text-align: center;">FF–</div>||<div style="text-align: center;">10" / 25 cm</div> | ||
| + | |} | ||
| + | |||
| + | ===Issue 8, May 1926=== | ||
| + | {|class="wikitable" style="width: 125%" | ||
| + | ! style="width: 12%;"|Selection(s) | ||
| + | ! style="width: 12%;"|Artist(s) | ||
| + | ! style="width: 2%;"|# Art. | ||
| + | ! style="width: 3%;"|Matrix | ||
| + | ! style="width: 5%;"|Rec. date | ||
| + | ! style="width: 2%;"|Sys. | ||
| + | ! style="width: 4%;"|Producer | ||
| + | ! style="width: 6%;"|Location | ||
| + | ! style="width: 2%;"|Cat. ID | ||
| + | ! style="width: 5%;"|Diam. | ||
| + | ! style="width: 15%;"|Notes | ||
| + | |- | ||
| + | |<span class="plainlinks">[https://en.wikipedia.org/wiki/Edward_Elgar '''Elgar''']</span> <span class="plainlinks">[https://imslp.org/wiki/Piano_Quintet,_Op.84_(Elgar,_Edward) Quintet for piano and strings in a Op.84]</span> –<br />(i) Moderato; Allegro [part 1]||Hobday, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 1X</div>||<div style="text-align: center;">c. February/March 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">NN+</div>||<div style="text-align: center;">12" / 30 cm</div>||Quartet members not named on disc labels; presumed to be Spencer Dyke, Quaife, Tomlinson, Patterson Parker | ||
| + | |- | ||
| + | |(i) Allegro [part 2]||Hobday, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 2X</div>||<div style="text-align: center;">c. February/March 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">NN–</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(i) Allegro [part 3]||Hobday, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 3X</div>||<div style="text-align: center;">c. February/March 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">OO+</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(i) Allegro [part 4]||Hobday, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 4X</div>||<div style="text-align: center;">c. February/March 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">OO–</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(ii) Adagio [part 1]||Hobday, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 5</div>||<div style="text-align: center;">c. February/March 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">PP+</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(ii) Adagio [part 2]||Hobday, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 6</div>||<div style="text-align: center;">c. February/March 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">PP–</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(ii) Adagio [part 3]||Hobday, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 7</div>||<div style="text-align: center;">c. February/March 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">QQ+</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(iii) Andante. Allegro [part 1]||Hobday, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 8X</div>||<div style="text-align: center;">c. February/March 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">QQ</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(iii) Allegro [part 2]||Hobday, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 9</div>||<div style="text-align: center;">c. February/March 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">RR+</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(iii) Allegro [part 3]||Hobday, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 10X</div>||<div style="text-align: center;">c. February/March 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">RR–</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |} | ||
| + | |||
| + | ===Issue 9, June 1926=== | ||
| + | {|class="wikitable" style="width: 125%" | ||
| + | ! style="width: 12%;"|Selection(s) | ||
| + | ! style="width: 12%;"|Artist(s) | ||
| + | ! style="width: 2%;"|# Art. | ||
| + | ! style="width: 3%;"|Matrix | ||
| + | ! style="width: 5%;"|Rec. date | ||
| + | ! style="width: 2%;"|Sys. | ||
| + | ! style="width: 4%;"|Producer | ||
| + | ! style="width: 6%;"|Location | ||
| + | ! style="width: 2%;"|Cat. ID | ||
| + | ! style="width: 5%;"|Diam. | ||
| + | ! style="width: 15%;"|Notes | ||
| + | |- | ||
| + | |<span class="plainlinks">[https://en.wikipedia.org/wiki/Johannes_Brahms '''Brahms''']</span> <span class="plainlinks">[https://imslp.org/wiki/Clarinet_Quintet,_Op.115_(Brahms,_Johannes)Quintet for clarinet and strings in b Op.115]</span> –<br />(i) Allegro [part 1]||<span class="plainlinks">[https://en.wikipedia.org/wiki/Frederick_Thurston Thurston]</span>, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 11X</div>||<div style="text-align: center;">c. May/June 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">SS+</div>||<div style="text-align: center;">12" / 30 cm</div>||Quartet members named on label of filler only (see below); presumed to be Spencer Dyke, Quaife, Tomlinson, Patterson Parker | ||
| + | |- | ||
| + | |(i) Allegro [part 2]||<span class="plainlinks">[https://en.wikipedia.org/wiki/Frederick_Thurston Thurston]</span>, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 12X</div>||<div style="text-align: center;">c. May/June 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">SS–</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(i) Allegro [part 3]||<span class="plainlinks">[https://en.wikipedia.org/wiki/Frederick_Thurston Thurston]</span>, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 13X</div>||<div style="text-align: center;">c. May/June 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">TT+</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(ii) Adagio [part 1]||<span class="plainlinks">[https://en.wikipedia.org/wiki/Frederick_Thurston Thurston]</span>, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 14</div>||<div style="text-align: center;">c. May/June 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">TT–</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(ii) Adagio [part 2]||<span class="plainlinks">[https://en.wikipedia.org/wiki/Frederick_Thurston Thurston]</span>, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 15</div>||<div style="text-align: center;">c. May/June 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">UU+</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(ii) Adagio [part 3]||<span class="plainlinks">[https://en.wikipedia.org/wiki/Frederick_Thurston Thurston]</span>, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 16X</div>||<div style="text-align: center;">c. May/June 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">UU–</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(iii) Andantino||<span class="plainlinks">[https://en.wikipedia.org/wiki/Frederick_Thurston Thurston]</span>, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 17X</div>||<div style="text-align: center;">c. May/June 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">VV+</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
| + | |- | ||
| + | |(iv) Con moto [part 1]||<span class="plainlinks">[https://en.wikipedia.org/wiki/Frederick_Thurston Thurston]</span>, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 18X</div>||<div style="text-align: center;">c. May/June 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">VV–</div>||<div style="text-align: center;">12" / 30 cm</div> | ||
|- | |- | ||
| − | |<span class="plainlinks">[https://en.wikipedia.org/wiki/ | + | |(iv) Con moto [part 2]||<span class="plainlinks">[https://en.wikipedia.org/wiki/Frederick_Thurston Thurston]</span>, [[Spencer Dyke String Quartet]]||<div style="text-align: center;">5</div>||<div style="text-align: center;">NGS 19X</div>||<div style="text-align: center;">c. May/June 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">WW+</div>||<div style="text-align: center;">12" / 30 cm</div> |
|- | |- | ||
| − | |<span class="plainlinks">[https://en.wikipedia.org/wiki/ | + | |<span class="plainlinks">[https://en.wikipedia.org/wiki/Reinhold_Gli%C3%A8re '''Glière''']</span> <span class="plainlinks">[https://imslp.org/wiki/String_Quartet_No.1,_Op.2_(Gli%C3%A8re,_Reinhold)String Quartet in A Op.2]</span> –<br />(ii) Scherzo. Allegro||[[Spencer Dyke String Quartet]]<br />(Spencer Dyke, Quaife, Tomlinson, Patterson Parker)||<div style="text-align: center;">4</div>||<div style="text-align: center;">NGS 27</div>||<div style="text-align: center;">c. May/June 1926</div>||<div style="text-align: center;">ac</div>||Vocalion||Vocalion studio,<br />Duncan Avenue, London||<div style="text-align: center;">WW–</div>||<div style="text-align: center;">12" / 30 cm</div>||Filler |
|} | |} | ||
Revision as of 13:02, 31 December 2020
This page presents a discography of the National Gramophonic Society.
It is part of the wiki Classical 'Society' Records by Nick Morgan.
It is best viewed on a large monitor, in landscape orientation. Unfortunately, it is not easy to consult on small screens.
In future, it is hoped to publish an additional page dedicated to each issue, with more information about its production, contents and reception.
For an account of the NGS itself, please see National Gramophonic Society.
For dates of creation and latest update, please see 'Page information' in left sidebar.
1924-25 Season
Issue 1, October 1924
| Selection(s) | Artist(s) | # Art. | Matrix | Rec. date | Sys. | Producer | Location | Cat. ID | Diam. | Notes |
|---|---|---|---|---|---|---|---|---|---|---|
| Beethoven String Quartet in Eb Op.74 – (i) Poco adagio; Allegro [part 1] |
Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 541-1 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | A+ |
12" / 30 cm |
Analytical note, Title unknown, by 'N.P.' (Alec Robertson) issued with discs; no copy known |
| (i) Allegro [part 2] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 542-1 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | A– |
12" / 30 cm
| |
| (ii) Adagio ma non troppo [part 1] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 543-1 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | B+ |
12" / 30 cm
| |
| (ii) Adagio ma non troppo [part 2] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 544-1 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | B– |
12" / 30 cm
| |
| (iii) Presto | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 545-1 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | C+ |
12" / 30 cm
| |
| (iv) Allegretto con variazioni | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 546-1 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | C– |
12" / 30 cm
| |
| Debussy String Quartet in g Op.10 – (i) Animé et très décidé [part 1] |
Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 547-1 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | D+ |
12" / 30 cm |
Analytical note, Title unknown, by 'N.P.' (Alec Robertson) issued with discs; no copy known |
| (i) Animé et très décidé [part 2] (iii) Andantino [part 1] |
Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 548-1 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | D– |
12" / 30 cm |
Movements recorded in order (i), (iii), (ii), (iv), probably to reduce number of discs |
| (iii) Andantino [part 2] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 549-2 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | E+ |
12" / 30 cm
| |
| (ii) Assez vif et bien rythmé | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 550-1 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | E– |
12" / 30 cm
| |
| (iv) Très modéré [part 1] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 551-1 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | F+ |
12" / 30 cm
| |
| (iv) Très modéré [part 2] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
AX 552-1 |
30 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | F– |
12" / 30 cm
|
Extraordinary issue, January 1925
| Selection(s) | Artist(s) | # Art. | Matrix | Rec. date | Sys. | Producer | Location | Cat. ID | Diam. | Notes |
|---|---|---|---|---|---|---|---|---|---|---|
| Rubinstein, Anton String Quartet in F Op.17 No.3 – (ii) Allegro |
Cobbett Quartet (Cobbett, Keady, Spain Dunk, Hann |
4 |
AX 540-1 |
28 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | G+ |
12" / 30 cm |
Both sides (and two others, see below) recorded as 'tests', not originally destined for issue |
| Raff String Quartet No.7 in D Op.192 No.2, Die schöne Müllerin [as 'Maid of the Mill Suite'] – (v) Erklärung [as 'The Declaration']. Andantino, quasi allegretto |
Cobbett Quartet (Cobbett, Keady, Spain Dunk, Hann) |
4 |
AX 537-1 |
28 July 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | G– |
12" / 30 cm |
Disc distributed gratis to members as present for Christmas 1924, in compensation for delay to Society's next issue |
Issue 2, February/March 1925
| Selection(s) | Artist(s) | # Art. | Matrix | Rec. date | Sys. | Producer | Location | Cat. ID | Diam. | Notes |
|---|---|---|---|---|---|---|---|---|---|---|
| Schubert Piano Trio in Eb D.929 – (i) Allegro [part 1] |
Spencer Dyke, Patterson Parker, Craxton | 3 |
AX 667-1 |
10 October 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | H+ |
12" / 30 cm |
Coupled with Schoenberg Verklärte Nacht as one set |
| (i) Allegro [part 2] | Spencer Dyke, Patterson Parker, Craxton | 3 |
AX 668-1 |
10 October 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | H– |
12" / 30 cm
| |
| (i) Allegro [part 3] | Spencer Dyke, Patterson Parker, Craxton | 3 |
AX 669-1 |
10 October 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | I+ |
12" / 30 cm
| |
| (ii) Andante con moto [part 1] | Spencer Dyke, Patterson Parker, Craxton | 3 |
AX 670-1 |
10 October 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | I– |
12" / 30 cm
| |
| (ii) Andante con moto [part 2] | Spencer Dyke, Patterson Parker, Craxton | 3 |
AX 671-1 |
10 October 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | K+ |
12" / 30 cm |
Catalogue letter J not used |
| (iii) Scherzando. Allegro moderato | Spencer Dyke, Patterson Parker, Craxton | 3 |
AX 840-1 |
7 January 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | K– |
12" / 30 cm
| |
| (iv) Allegro moderato [part 1] | Spencer Dyke, Patterson Parker, Craxton | 3 |
AX 841-1 |
7 January 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | L+ |
12" / 30 cm |
Recording date of this side stated on Columbia manufacturing card, erroneously, as '7th Jan 1924' |
| (iv) Allegro moderato [part 2] | Spencer Dyke, Patterson Parker, Craxton | 3 |
AX 842-1 |
7 January 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | L– |
12" / 30 cm
| |
| (iv) Allegro moderato [part 3] | Spencer Dyke, Patterson Parker, Craxton | 3 |
AX 843-1 |
7 January 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | M+ |
12" / 30 cm
| |
| Schoenberg Verklärte Nacht, sextet Op.4 [Part 1] |
Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
AX 663-1 |
10 October 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | M– |
12" / 30 cm |
Effectively performed by Spencer Dyke String Quartet, not credited as such on disc labels, plus supernumeraries. Coupled with Schubert Piano Trio D.929 as one set |
| [Part 2] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
AX 664-1 |
10 October 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | N+ |
12" / 30 cm
| |
| [Part 3] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
AX 665-1 |
10 October 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | N– |
12" / 30 cm
| |
| [Part 4] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
AX 666-1 |
10 October 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | O+ |
12" / 30 cm
| |
| [Part 5] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
AX 829-1 |
30 December 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | O– |
12" / 30 cm
| |
| [Part 6] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
AX 830-1 |
30 December 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | P+ |
12" / 30 cm
| |
| [Part 7] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
AX 831-1 |
30 December 1924 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | P– |
12" / 30 cm
|
Issue 3, July/August 1925
| Selection(s) | Artist(s) | # Art. | Matrix | Rec. date | Sys. | Producer | Location | Cat. ID | Diam. | Notes |
|---|---|---|---|---|---|---|---|---|---|---|
| Beethoven String Quartet in F Op.59 No.1 – (i) Allegro [part 1] |
Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
GS 73 |
c. June 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
T+ |
12" / 30 cm |
'[...] unusual difficulties have been encountered, and re-recordings have been necessary'[1] |
| (i) Allegro [part 2] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
GS 8 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
T– |
12" / 30 cm |
Main recording session held shortly before 24 April 1925 board meeting of Gramophone (Publications) Limited[2] |
| (i) Allegro [part 3] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
GS 9 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
V+ |
12" / 30 cm |
Catalogue letter U not used |
| (ii) Allegretto vivace e sempre scherzando [part 1] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
GS 10 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
V– |
12" / 30 cm
| |
| (ii) Allegretto vivace e sempre scherzando [part 2] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
GS 11 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
W+ |
12" / 30 cm
| |
| (ii) Allegretto vivace e sempre scherzando [part 3] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
GS 122 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
W– |
12" / 30 cm
| |
| (iii) Adagio molto e mesto [part 1] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
GS 13 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
X+ |
12" / 30 cm
| |
| (iii) Adagio molto e mesto [part 2] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
GS 14 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
X– |
12" / 30 cm
| |
| (iii) Adagio molto e mesto [part 3] (iv) Thème russe. Allegro [part 1] |
Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
GS 15 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
Y+ |
12" / 30 cm
| |
| (iv) Thème russe. Allegro [part 2] | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
GS 16 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
Y– |
12" / 30 cm
|
Issue 4, October/November 1925
| Selection(s) | Artist(s) | # Art. | Matrix | Rec. date | Sys. | Producer | Location | Cat. ID | Diam. | Notes |
|---|---|---|---|---|---|---|---|---|---|---|
| Brahms String Sextet in Bb Op.18 – (i) Allegro ma non troppo [part 1] |
Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
GS 22 |
c. July 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
Z+ |
12" / 30 cm |
Effectively performed by Spencer Dyke String Quartet, not credited as such on disc labels, plus supernumeraries |
| (i) Allegro ma non troppo [part 2] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
GS 23 |
c. July 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
Z– |
12" / 30 cm
| |
| (i) Allegro ma non troppo [part 3] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
GS 24 |
c. July 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
AA+ |
12" / 30 cm
| |
| (ii) Andante ma moderato [part 1] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
GS 252 |
c. July 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
AA– |
12" / 30 cm
| |
| (ii) Andante ma moderato [part 2] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
GS 262 |
c. July 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
BB+ |
12" / 30 cm
| |
| (iii) Scherzo. Allegro molto | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
GS 272 |
c. July 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
BB– |
12" / 30 cm
| |
| (iv) Rondo. Poco Allegretto e grazioso [part 1] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
GS 282 |
c. July 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
CC+ |
12" / 30 cm
| |
| (iv) Rondo. Poco Allegretto e grazioso [part 2] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
GS 294 |
c. September 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
CC– |
12" / 30 cm
| |
| (iv) Rondo. Poco Allegretto e grazioso [part 3] | Spencer Dyke, Quaife, Tomlinson, Lockyer (viola II), Patterson Parker, Robinson (cello II) | 6 |
GS 30 |
c. July 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
DD+ |
12" / 30 cm
| |
| Goossens, Eugene [III] Two Sketches Op.15 – (i) By the Tarn |
Music Society String Quartet (Mangeot, Pecker, Berly, Barbirolli) |
4 |
GS 172 |
c. May 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
DD– |
12" / 30 cm |
Filler. Coupled by mistake, against wishes of André Mangeot[3] |
1925-26 Season
Issue 5, October/November 1925 (held over from 1924-25 season)
| Selection(s) | Artist(s) | # Art. | Matrix | Rec. date | Sys. | Producer | Location | Cat. ID | Diam. | Notes |
|---|---|---|---|---|---|---|---|---|---|---|
| Mozart Quartet for oboe and strings in F K.370 (368b) – (i) Allegro [part 1] | Goossens, Spencer Dyke, Tomlinson, Patterson Parker | 4 |
GS 14 |
c. June 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
Q+ |
10" / 25 cm |
'[...] unusual difficulties have been encountered, and re-recordings have been necessary'[4] |
| (i) Allegro [part 2] | Goossens, Spencer Dyke, Tomlinson, Patterson Parker | 4 |
GS 23 |
c. June 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
Q– |
10" / 25 cm |
Main recording session held shortly before 24 April 1925 board meeting of Gramophone (Publications) Limited[5] |
| (ii) Adagio | Goossens, Spencer Dyke, Tomlinson, Patterson Parker | 4 |
GS 3 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
R+ |
10" / 25 cm |
Spencer Dyke String Quartet credited on disc labels but members not named |
| (iii) Rondeau. Allegro [part 1] | Goossens, Spencer Dyke, Tomlinson, Patterson Parker | 4 |
GS 4 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
R– |
10" / 25 cm
| |
| (iii) Rondeau. Allegro [part 2] | Goossens, Spencer Dyke, Tomlinson, Patterson Parker | 4 |
GS 52 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
S+ |
10" / 25 cm
| |
| Bach, J.S. Ich steh' mit einem Fuß im Grabe BWV 156 – (i) Sinfonia | Goossens, Spencer Dyke String Quartet | 5 |
GS 6 |
April 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
S– |
10" / 25 cm |
Filler. Quartet members not named on disc labels; presumed to be Spencer Dyke, Quaife, Tomlinson, Patterson Parker |
Issue 6, January/February 1926
| Selection(s) | Artist(s) | # Art. | Matrix | Rec. date | Sys. | Producer | Location | Cat. ID | Diam. | Notes |
|---|---|---|---|---|---|---|---|---|---|---|
| Schubert String Quintet in C D.956 – (i) Allegro ma non troppo [part 1] |
Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1066-3 |
16(?) July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | GG+ |
12" / 30 cm |
Columbia manufacturing card for first matrix shows no recording date; higher take suggests second day? |
| (i) Allegro ma non troppo [part 2] | Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1067-2 |
15 July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | GG– |
12" / 30 cm |
Ensemble effectively final formation of Cobbett Quartet, although not credited as such on disc labels, plus supernumerary |
| (i) Allegro ma non troppo [part 3] | Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1068-1 |
15 July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | HH+ |
12" / 30 cm |
Recording paid for by Cobbett; six discs charged to NGS members as five |
| (i) Allegro ma non troppo [part 4] (ii) Adagio [part 1] |
Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1069-2 |
15 July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | HH– |
12" / 30 cm
| |
| (ii) Adagio [part 2] | Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1070-2 |
15 July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | JJ+ |
12" / 30 cm |
Catalogue letters II not used |
| (ii) Adagio [part 3] | Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1071-2 |
15 July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | JJ– |
12" / 30 cm
| |
| (ii) Adagio [part 4] (iii) [part 1] Scherzo. Presto |
Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1072-2 |
15 July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | KK+ |
12" / 30 cm
| |
| (iii) [part 2] Trio. Andante sostenuto | Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1073-2 |
16 July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | KK– |
12" / 30 cm
| |
| (iii) [part 3] 'Bridge passage leading to' Scherzo. Presto, da capo | Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1074-2 |
16 July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | LL+ |
12" / 30 cm
| |
| (iv) Allegretto [part 1] | Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1075-2 |
16 July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | LL– |
12" / 30 cm
| |
| (iv) Allegretto [part 2] | Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1076-2 |
16 July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | MM+ |
12" / 30 cm
| |
| (iv) Allegretto. Più allegro [part 3] | Cobbett, Keady, Spain Dunk, Dare, Crabbe (cello II) | 5 |
AX 1077-2 |
16 July 1925 |
ac |
Columbia | Columbia studio, Clerkenwell Road, London | MM– |
12" / 30 cm
|
Issue 7, February/March 1926
| Selection(s) | Artist(s) | # Art. | Matrix | Rec. date | Sys. | Producer | Location | Cat. ID | Diam. | Notes |
|---|---|---|---|---|---|---|---|---|---|---|
| Tomlinson, Ernest[6] A Lament | Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
GS 21 |
c. July 1925 |
ac |
Parlophone | Parlophone studio, City Road, London |
EE+ |
12" / 30 cm |
Coupled by mistake, against wishes of André Mangeot[7] |
| Gibbons arr. Fellowes(?)[8] Fantasia à 3 VdGS 3 Fantasia à 3 VdGS 9 |
Music Society String Quartet (Mangeot, Pecker, Berly, Barbirolli) |
3 |
GS 18 |
c. May-25 |
ac |
Parlophone | Parlophone studio, City Road, London |
EE– |
12" / 30 cm |
Fantasia No.3 played by violin, viola and 'cello Fantasia No.9 played by two violins and 'cello |
| Gibbons arr. Fellowes(?) Fantasia à 3 VdGS 6 Fantasia à 3 VdGS 8 |
Music Society String Quartet (Mangeot, Pecker, [Berly,] Barbirolli) |
3 |
GS 19 |
c. May-25 |
ac |
Parlophone | Parlophone studio, City Road, London |
FF+ |
10" / 25 cm |
Fantasias both played by two violins and 'cello but four players credited on disc label |
| Goossens, Eugene [III] Two Sketches Op.15 – (ii) Jack o' Lantern |
Music Society String Quartet (Mangeot, Pecker, Berly, Barbirolli) |
4 |
GS 203 |
c. May-25 |
ac |
Parlophone | Parlophone studio, City Road, London |
FF– |
10" / 25 cm
|
Issue 8, May 1926
| Selection(s) | Artist(s) | # Art. | Matrix | Rec. date | Sys. | Producer | Location | Cat. ID | Diam. | Notes |
|---|---|---|---|---|---|---|---|---|---|---|
| Elgar Quintet for piano and strings in a Op.84 – (i) Moderato; Allegro [part 1] |
Hobday, Spencer Dyke String Quartet | 5 |
NGS 1X |
c. February/March 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
NN+ |
12" / 30 cm |
Quartet members not named on disc labels; presumed to be Spencer Dyke, Quaife, Tomlinson, Patterson Parker |
| (i) Allegro [part 2] | Hobday, Spencer Dyke String Quartet | 5 |
NGS 2X |
c. February/March 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
NN– |
12" / 30 cm
| |
| (i) Allegro [part 3] | Hobday, Spencer Dyke String Quartet | 5 |
NGS 3X |
c. February/March 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
OO+ |
12" / 30 cm
| |
| (i) Allegro [part 4] | Hobday, Spencer Dyke String Quartet | 5 |
NGS 4X |
c. February/March 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
OO– |
12" / 30 cm
| |
| (ii) Adagio [part 1] | Hobday, Spencer Dyke String Quartet | 5 |
NGS 5 |
c. February/March 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
PP+ |
12" / 30 cm
| |
| (ii) Adagio [part 2] | Hobday, Spencer Dyke String Quartet | 5 |
NGS 6 |
c. February/March 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
PP– |
12" / 30 cm
| |
| (ii) Adagio [part 3] | Hobday, Spencer Dyke String Quartet | 5 |
NGS 7 |
c. February/March 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
QQ+ |
12" / 30 cm
| |
| (iii) Andante. Allegro [part 1] | Hobday, Spencer Dyke String Quartet | 5 |
NGS 8X |
c. February/March 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
QQ |
12" / 30 cm
| |
| (iii) Allegro [part 2] | Hobday, Spencer Dyke String Quartet | 5 |
NGS 9 |
c. February/March 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
RR+ |
12" / 30 cm
| |
| (iii) Allegro [part 3] | Hobday, Spencer Dyke String Quartet | 5 |
NGS 10X |
c. February/March 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
RR– |
12" / 30 cm
|
Issue 9, June 1926
| Selection(s) | Artist(s) | # Art. | Matrix | Rec. date | Sys. | Producer | Location | Cat. ID | Diam. | Notes |
|---|---|---|---|---|---|---|---|---|---|---|
| Brahms for clarinet and strings in b Op.115 – (i) Allegro [part 1] |
Thurston, Spencer Dyke String Quartet | 5 |
NGS 11X |
c. May/June 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
SS+ |
12" / 30 cm |
Quartet members named on label of filler only (see below); presumed to be Spencer Dyke, Quaife, Tomlinson, Patterson Parker |
| (i) Allegro [part 2] | Thurston, Spencer Dyke String Quartet | 5 |
NGS 12X |
c. May/June 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
SS– |
12" / 30 cm
| |
| (i) Allegro [part 3] | Thurston, Spencer Dyke String Quartet | 5 |
NGS 13X |
c. May/June 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
TT+ |
12" / 30 cm
| |
| (ii) Adagio [part 1] | Thurston, Spencer Dyke String Quartet | 5 |
NGS 14 |
c. May/June 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
TT– |
12" / 30 cm
| |
| (ii) Adagio [part 2] | Thurston, Spencer Dyke String Quartet | 5 |
NGS 15 |
c. May/June 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
UU+ |
12" / 30 cm
| |
| (ii) Adagio [part 3] | Thurston, Spencer Dyke String Quartet | 5 |
NGS 16X |
c. May/June 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
UU– |
12" / 30 cm
| |
| (iii) Andantino | Thurston, Spencer Dyke String Quartet | 5 |
NGS 17X |
c. May/June 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
VV+ |
12" / 30 cm
| |
| (iv) Con moto [part 1] | Thurston, Spencer Dyke String Quartet | 5 |
NGS 18X |
c. May/June 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
VV– |
12" / 30 cm
| |
| (iv) Con moto [part 2] | Thurston, Spencer Dyke String Quartet | 5 |
NGS 19X |
c. May/June 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
WW+ |
12" / 30 cm
| |
| Glière Quartet in A Op.2 – (ii) Scherzo. Allegro |
Spencer Dyke String Quartet (Spencer Dyke, Quaife, Tomlinson, Patterson Parker) |
4 |
NGS 27 |
c. May/June 1926 |
ac |
Vocalion | Vocalion studio, Duncan Avenue, London |
WW– |
12" / 30 cm |
Filler |
References
- ↑ 'National Gramophonic Society Notes', The Gramophone, Vol.III No.2, July 1925, p.80
- ↑ Minutes of 24 April 1925 board meeting of Gramophone (Publications) Limited, undated
- ↑ '[...] would it be possible to get the Lament of Tomlinson on 12 inch put together[?] with the Brahms 6tet of Spencer Dyke and get our Goossens By the Tarn go on the back of Gibbons 3,9'
Annotation in André Mangeot's hand on MS letter from Robert Gathorne-Hardy to Mangeot, dated 23 December 1925, André Mangeot Collection, Royal College of Music, London - ↑ 'National Gramophonic Society Notes', The Gramophone, Vol.III No.2, July 1925, p.80
- ↑ Minutes of 24 April 1925 board meeting of Gramophone (Publications) Limited, undated
- ↑ Ernest Tomlinson (1877-1957), well-known teacher and viola player in several distinguished quartets including the Spencer Dyke String Quartet, is not to be confused with the composer and conductor Ernest Tomlinson (1924-2015)
- ↑ '[...] would it be possible to get the Lament of Tomlinson on 12 inch put together[?] with the Brahms 6tet of Spencer Dyke and get our Goossens By the Tarn go on the back of Gibbons 3,9'
Annotation in André Mangeot's hand on MS letter from Robert Gathorne-Hardy to Mangeot, dated 23 December 1925, André Mangeot Collection, Royal College of Music, London - ↑ Gibbons' 3-part fantasies probably performed in the arrangement for modern string trio by Edmund Fellowes, published by Stainer & Bell, London, 1924