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		<id>http://nickmorgandiscography.org/index.php?action=history&amp;feed=atom&amp;title=Kauder_Society</id>
		<title>Kauder Society - Revision history</title>
		<link rel="self" type="application/atom+xml" href="http://nickmorgandiscography.org/index.php?action=history&amp;feed=atom&amp;title=Kauder_Society"/>
		<link rel="alternate" type="text/html" href="http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;action=history"/>
		<updated>2026-05-19T07:57:17Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
		<generator>MediaWiki 1.27.5</generator>

	<entry>
		<id>http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;diff=567&amp;oldid=prev</id>
		<title>WikiSysop: /* The Kauder Society Volume II */</title>
		<link rel="alternate" type="text/html" href="http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;diff=567&amp;oldid=prev"/>
				<updated>2025-07-11T10:49:21Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The Kauder Society Volume II&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;tr style='vertical-align: top;' lang='en'&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 10:49, 11 July 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l96&quot; &gt;Line 96:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 96:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Reviews'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Reviews'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;No review of &lt;/del&gt;this &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;issue has been located to date. &lt;/del&gt;The only &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;known &lt;/del&gt;mention &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;of it &lt;/del&gt;in the press is found in a report of the conferral on Kallir of the American Artists Award for 1949 by the Brooklyn Institute of Arts and Sciences.&amp;lt;ref&amp;gt;'Lilian Kallir, Pianist, Wins 1949 American Artists Award', ''The Brooklyn Daily Eagle'' [Brooklyn, New York], Sunday 10 April 1949, p.33&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Harman, Carter 'Records: ‘Romeo’', ''New York Times'', Sunday 15 August 1948, Drama Section, p.5&amp;lt;ref&amp;gt;My thanks to Peter Adamson for &lt;/ins&gt;this &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;reference&amp;lt;/ref&amp;gt;&amp;lt;br /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The only &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;other &lt;/ins&gt;mention in the press &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;of this issue located to date &lt;/ins&gt;is found in a report of the conferral on Kallir of the American Artists Award for 1949 by the Brooklyn Institute of Arts and Sciences.&amp;lt;ref&amp;gt;'Lilian Kallir, Pianist, Wins 1949 American Artists Award', ''The Brooklyn Daily Eagle'' [Brooklyn, New York], Sunday 10 April 1949, p.33&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Transfers'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Transfers'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>WikiSysop</name></author>	</entry>

	<entry>
		<id>http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;diff=196&amp;oldid=prev</id>
		<title>WikiSysop at 08:00, 5 July 2019</title>
		<link rel="alternate" type="text/html" href="http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;diff=196&amp;oldid=prev"/>
				<updated>2019-07-05T08:00:31Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;tr style='vertical-align: top;' lang='en'&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 08:00, 5 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is not known when the Kauder Society was formed, by whom, for how long it existed, and whether or how it was connected with the Bohemian-born émigré composer, teacher and writer &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/about/about-hugo-kauder/ Hugo Kauder]&amp;lt;/span&amp;gt;. The Society's existence is currently attested solely by four 78 rpm records issued in its name in the late 1940s.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is not known when the Kauder Society was formed, by whom, for how long it existed, and whether or how it was connected with the Bohemian-born émigré composer, teacher and writer &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/about/about-hugo-kauder/ Hugo Kauder]&amp;lt;/span&amp;gt;. The Society's existence is currently attested solely by four 78 rpm records issued in its name in the late 1940s.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2002 a new body was founded, the &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/ Hugo Kauder Society]&amp;lt;/span&amp;gt;. Still active, it documents, preserves and promotes Kauder's works and teachings. In 2006 the Society donated its papers to the New York Public Library. The NYPL's &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://archives.nypl.org/mus/18414 finding aid]&amp;lt;/span&amp;gt; does not clearly list any items relating either to the older Kauder Society or to the records listed below.&amp;lt;ref&amp;gt;Snyder, Matthew &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://archives.nypl.org/mus/18414 'Hugo Kauder Society records 1911-2006']&amp;lt;/span&amp;gt;, Music Division, New York Public Library for the Performing Arts, n.d.&amp;lt;/ref&amp;gt; The &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://www.lib.uchicago.edu/e/scrc/findingaids/view.php?eadid=ICU.SPCL.KAUDER#idp140958664 Hugo Kauder Papers 1927-1946]&amp;lt;/span&amp;gt;, held by the University of Chicago Library, include only manuscript and published scores, unpublished essays, and the Kauder Society Volume &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1 &lt;/del&gt;(see below).&amp;lt;ref&amp;gt;&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://www.lib.uchicago.edu/e/scrc/findingaids/view.php?eadid=ICU.SPCL.KAUDER#idp140958664 Guide to the Hugo Kauder Papers 1927-1946]&amp;lt;/span&amp;gt;, Special Collections Research Center, University of Chicago Library&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2002 a new body was founded, the &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/ Hugo Kauder Society]&amp;lt;/span&amp;gt;. Still active, it documents, preserves and promotes Kauder's works and teachings. In 2006 the Society donated its papers to the New York Public Library. The NYPL's &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://archives.nypl.org/mus/18414 finding aid]&amp;lt;/span&amp;gt; does not clearly list any items relating either to the older Kauder Society or to the records listed below.&amp;lt;ref&amp;gt;Snyder, Matthew &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://archives.nypl.org/mus/18414 'Hugo Kauder Society records 1911-2006']&amp;lt;/span&amp;gt;, Music Division, New York Public Library for the Performing Arts, n.d.&amp;lt;/ref&amp;gt; The &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://www.lib.uchicago.edu/e/scrc/findingaids/view.php?eadid=ICU.SPCL.KAUDER#idp140958664 Hugo Kauder Papers 1927-1946]&amp;lt;/span&amp;gt;, held by the University of Chicago Library, include only manuscript and published scores, unpublished essays, and the Kauder Society Volume &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;I &lt;/ins&gt;(see &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[#The Kauder Society Volume I|&lt;/ins&gt;below&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;).&amp;lt;ref&amp;gt;&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://www.lib.uchicago.edu/e/scrc/findingaids/view.php?eadid=ICU.SPCL.KAUDER#idp140958664 Guide to the Hugo Kauder Papers 1927-1946]&amp;lt;/span&amp;gt;, Special Collections Research Center, University of Chicago Library&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Kauder Society publications==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Kauder Society publications==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot; &gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Society is not known to have sponsored or published any printed material besides the inserts which accompanied these two issues.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Society is not known to have sponsored or published any printed material besides the inserts which accompanied these two issues.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Kauder Society &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vol.1&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/ins&gt;Kauder Society &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Volume I&lt;/ins&gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;width: 100%&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;width: 100%&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;width: 14%;&amp;quot; | Selection&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;width: 14%;&amp;quot; | Selection&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l30&quot; &gt;Line 30:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;width: 3%;&amp;quot; | Country&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;width: 3%;&amp;quot; | Country&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Sonata for English Horn and Piano – &amp;lt;br/&amp;gt;(i) Prelude. Andante tranquillo&amp;lt;br/&amp;gt;(ii) Intermezzo[. Vivace non troppo allegro] ||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)&amp;lt;br/&amp;gt;[[Bodky, Erwin (harpsichord, piano)|Erwin Bodky]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;NM-105&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 / Kauder Society &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vol.1&lt;/del&gt;&amp;lt;br/&amp;gt;face no. KS 600-1||USA&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Sonata for English Horn and Piano – &amp;lt;br/&amp;gt;(i) Prelude. Andante tranquillo&amp;lt;br/&amp;gt;(ii) Intermezzo[. Vivace non troppo allegro] ||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)&amp;lt;br/&amp;gt;[[Bodky, Erwin (harpsichord, piano)|Erwin Bodky]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;NM-105&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 /&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;The &lt;/ins&gt;Kauder Society &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Volume I&lt;/ins&gt;&amp;lt;br/&amp;gt;face no. KS 600-1||USA&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Sonata for English Horn and Piano – &amp;lt;br/&amp;gt;(iii) Melody. Sostenuto [part 1]||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)&amp;lt;br/&amp;gt;[[Bodky, Erwin (harpsichord, piano)|Erwin Bodky]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM-106&amp;lt;br/&amp;gt;runout: 2 NM 106&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 / Kauder Society &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vol.1&lt;/del&gt;&amp;lt;br/&amp;gt;face no. KS 600-2||USA&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Sonata for English Horn and Piano – &amp;lt;br/&amp;gt;(iii) Melody. Sostenuto [part 1]||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)&amp;lt;br/&amp;gt;[[Bodky, Erwin (harpsichord, piano)|Erwin Bodky]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM-106&amp;lt;br/&amp;gt;runout: 2 NM 106&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 /&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;The &lt;/ins&gt;Kauder Society &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Volume I&lt;/ins&gt;&amp;lt;br/&amp;gt;face no. KS 600-2||USA&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Sonata for English Horn and Piano – &amp;lt;br/&amp;gt;(iii) Melody. Sostenuto [part 2]&amp;lt;br/&amp;gt;(iv) Fughetta. Allegretto ||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)&amp;lt;br/&amp;gt;[[Bodky, Erwin (harpsichord, piano)|Erwin Bodky]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM-107&amp;lt;br/&amp;gt;runout: 3C NM 107&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 / Kauder Society &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vol.1&lt;/del&gt;&amp;lt;br/&amp;gt;face no. KS 600-3||USA&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Sonata for English Horn and Piano – &amp;lt;br/&amp;gt;(iii) Melody. Sostenuto [part 2]&amp;lt;br/&amp;gt;(iv) Fughetta. Allegretto ||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)&amp;lt;br/&amp;gt;[[Bodky, Erwin (harpsichord, piano)|Erwin Bodky]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM-107&amp;lt;br/&amp;gt;runout: 3C NM 107&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 /&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;The &lt;/ins&gt;Kauder Society &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Volume I&lt;/ins&gt;&amp;lt;br/&amp;gt;face no. KS 600-3||USA&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Improvization [sic] for English Horn alone||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;NM-108&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 / Kauder Society &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vol.1&lt;/del&gt;&amp;lt;br/&amp;gt;face no. KS 600-4||USA&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Improvization [sic] for English Horn alone||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;NM-108&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 /&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;The &lt;/ins&gt;Kauder Society &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Volume I&lt;/ins&gt;&amp;lt;br/&amp;gt;face no. KS 600-4||USA&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l45&quot; &gt;Line 45:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 45:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Notes on works'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Notes on works'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Both works are presumed to have been recorded complete. The Sonata was composed in 1946, and dedicated to Speyer,&amp;lt;ref&amp;gt;&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://img.discogs.com/TMJRKR-G4OPc6HZ7jFjOHJc0YPI=/fit-in/600x533/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-12350112-1533474589-8864.jpeg.jpg 'A native of Paris (...)']&amp;lt;/span&amp;gt; (biographical note on Speyer), insert, Night Music set 105 / Kauder Society &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vol.1&lt;/del&gt;, scan at discogs.com&amp;lt;/ref&amp;gt; but published only in 1971 by Southern Music;&amp;lt;ref&amp;gt;Copyright Office, Library of Congress ''Catalog of Copyright Entries: Third Series, Volume 25, Part 5, Number 1, Section 1, Music, Current and Renewal Registrations, January—June 1971'', Washington DC: Library of Congress, 1972, p.721&amp;lt;/ref&amp;gt; it has not been consulted for this page. The movement titles are given on the disc labels, the indications in the insert note, except that for (ii), which is nevertheless presumed to be original.&amp;lt;ref&amp;gt;The indication for (iii) is taken from&amp;#160; McMullen, William Wallace ''Soloistic English Horn Literature from 1736-1984'', Stuyvesant, NY: Pendragon Press, 1994, p.120, which erroneously gives the Sonata's date of composition as 1970&amp;lt;/ref&amp;gt; It is not known if the Improvization has been published; the Hugo Kauder Society Records at the NYPL include a score, also dated 1946, but the &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://archives.nypl.org/mus/18414 finding aid]&amp;lt;/span&amp;gt; does not specify if it is a manuscript or a print.&amp;lt;ref&amp;gt;Snyder, Matthew &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://archives.nypl.org/mus/18414 'Hugo Kauder Society records 1911-2006']&amp;lt;/span&amp;gt;, Music Division, New York Public Library for the Performing Arts, n.d.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Both works are presumed to have been recorded complete. The Sonata was composed in 1946, and dedicated to Speyer,&amp;lt;ref&amp;gt;&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://img.discogs.com/TMJRKR-G4OPc6HZ7jFjOHJc0YPI=/fit-in/600x533/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-12350112-1533474589-8864.jpeg.jpg 'A native of Paris (...)']&amp;lt;/span&amp;gt; (biographical note on Speyer), insert, Night Music set 105 / Kauder Society &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Volume I&lt;/ins&gt;, scan at discogs.com&amp;lt;/ref&amp;gt; but published only in 1971 by Southern Music;&amp;lt;ref&amp;gt;Copyright Office, Library of Congress ''Catalog of Copyright Entries: Third Series, Volume 25, Part 5, Number 1, Section 1, Music, Current and Renewal Registrations, January—June 1971'', Washington DC: Library of Congress, 1972, p.721&amp;lt;/ref&amp;gt; it has not been consulted for this page. The movement titles are given on the disc labels, the indications in the insert note, except that for (ii), which is nevertheless presumed to be original.&amp;lt;ref&amp;gt;The indication for (iii) is taken from&amp;#160; McMullen, William Wallace ''Soloistic English Horn Literature from 1736-1984'', Stuyvesant, NY: Pendragon Press, 1994, p.120, which erroneously gives the Sonata's date of composition as 1970&amp;lt;/ref&amp;gt; It is not known if the Improvization has been published; the Hugo Kauder Society Records at the NYPL include a score, also dated 1946, but the &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://archives.nypl.org/mus/18414 finding aid]&amp;lt;/span&amp;gt; does not specify if it is a manuscript or a print.&amp;lt;ref&amp;gt;Snyder, Matthew &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://archives.nypl.org/mus/18414 'Hugo Kauder Society records 1911-2006']&amp;lt;/span&amp;gt;, Music Division, New York Public Library for the Performing Arts, n.d.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Reviews'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Reviews'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l61&quot; &gt;Line 61:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 61:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://www.discogs.com/Hugo-Kauder-Sonata-For-English-Horn-And-Piano-Improvization-For-English-Horn-Alone/release/12350112 Entry]&amp;lt;/span&amp;gt;, including images of all labels and insert but not album cover, at discogs.com&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://www.discogs.com/Hugo-Kauder-Sonata-For-English-Horn-And-Piano-Improvization-For-English-Horn-Alone/release/12350112 Entry]&amp;lt;/span&amp;gt;, including images of all labels and insert but not album cover, at discogs.com&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Kauder Society Volume II===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/ins&gt;Kauder Society Volume II===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;width: 100%&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;width: 100%&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;width: 14%;&amp;quot; | Selection&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;width: 14%;&amp;quot; | Selection&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l83&quot; &gt;Line 83:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 83:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Notes on issue'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Notes on issue'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The above set was issued in auto-sequence coupling only, in an album with a pasted-in sheet containing a note on the composer, the Society and its issues, and the works in this set; signed 'The Kauder Society', it gives the Society's address as 48 Jamaica Road, &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://en.wikipedia.org/wiki/Brookline,_Massachusetts Brookline]&amp;lt;/span&amp;gt;, Mass. The insert also contains a photograph and brief biography of Kallir, described as the composer's theory pupil. The album cover, insert and disc labels show varying notations of the volume number: on the cover and insert, it is &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Volume II, but on the labels Volume Two.&amp;lt;ref&amp;gt;Many thanks to a collector in the UK for scans of the album cover, insert and a disc label&amp;lt;/ref&amp;gt; The recording date is not given on the labels or insert, but the latter refers to Kauder having written his 'recent Fourth piano Sonata' especially for Kallir; the &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/uploads/downloads/kauder_pianosonata4_ms.pdf autograph manuscript]&amp;lt;/span&amp;gt; of the Fourth Sonata is dated 18 March 1948, but the recording itself could have been made before the insert note was written. The price of this issue is not known, nor is the location at this date of the Night Music Recording Co. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The above set was issued in auto-sequence coupling only, in an album with a pasted-in sheet containing a note on the composer, the Society and its issues, and the works in this set; signed 'The Kauder Society', it gives the Society's address as 48 Jamaica Road, &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://en.wikipedia.org/wiki/Brookline,_Massachusetts Brookline]&amp;lt;/span&amp;gt;, Mass. The insert also contains a photograph and brief biography of Kallir, described as the composer's theory pupil. The album cover, insert and disc labels show varying notations of the volume number: on the cover and insert, it is Volume II, but on the labels Volume Two.&amp;lt;ref&amp;gt;Many thanks to a collector in the UK for scans of the album cover, insert and a disc label&amp;lt;/ref&amp;gt; The recording date is not given on the labels or insert, but the latter refers to Kauder having written his 'recent Fourth piano Sonata' especially for Kallir; the &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/uploads/downloads/kauder_pianosonata4_ms.pdf autograph manuscript]&amp;lt;/span&amp;gt; of the Fourth Sonata is dated 18 March 1948, but the recording itself could have been made before the insert note was written. The price of this issue is not known, nor is the location at this date of the Night Music Recording Co. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''System'''&amp;lt;br/&amp;gt;It is not known which electrical recording system or medium were used. The owner of a copy of this issue has described it as having 'some distortion etc (like Vol I) that suggests to me early tape recording, rather than 'typical' 1940s American problems.'&amp;lt;ref&amp;gt;Personal e-mail, 3 May 2019&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''System'''&amp;lt;br/&amp;gt;It is not known which electrical recording system or medium were used. The owner of a copy of this issue has described it as having 'some distortion etc (like Vol I) that suggests to me early tape recording, rather than 'typical' 1940s American problems.'&amp;lt;ref&amp;gt;Personal e-mail, 3 May 2019&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>WikiSysop</name></author>	</entry>

	<entry>
		<id>http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;diff=195&amp;oldid=prev</id>
		<title>WikiSysop at 07:52, 5 July 2019</title>
		<link rel="alternate" type="text/html" href="http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;diff=195&amp;oldid=prev"/>
				<updated>2019-07-05T07:52:45Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 07:52, 5 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l61&quot; &gt;Line 61:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 61:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://www.discogs.com/Hugo-Kauder-Sonata-For-English-Horn-And-Piano-Improvization-For-English-Horn-Alone/release/12350112 Entry]&amp;lt;/span&amp;gt;, including images of all labels and insert but not album cover, at discogs.com&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://www.discogs.com/Hugo-Kauder-Sonata-For-English-Horn-And-Piano-Improvization-For-English-Horn-Alone/release/12350112 Entry]&amp;lt;/span&amp;gt;, including images of all labels and insert but not album cover, at discogs.com&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Kauder Society &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vol.2&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Kauder Society &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Volume II&lt;/ins&gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;width: 100%&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;width: 100%&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;width: 14%;&amp;quot; | Selection&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;width: 14%;&amp;quot; | Selection&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l73&quot; &gt;Line 73:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 73:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;width: 3%;&amp;quot; | Country&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! style=&amp;quot;width: 3%;&amp;quot; | Country&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Piano Sonata &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;No.2 &lt;/del&gt;– &amp;lt;br/&amp;gt;(i) Allegretto&amp;lt;br/&amp;gt;(ii) Allegro moderato &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[part 1] &lt;/del&gt;||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;-&lt;/del&gt;210&amp;lt;br/&amp;gt;runout: KS210A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;Kauder Society &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vol.2&lt;/del&gt;||USA&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Second &lt;/ins&gt;Piano Sonata – &amp;lt;br/&amp;gt;(i) Allegretto&amp;lt;br/&amp;gt;(ii) Allegro moderato &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(beginning) &lt;/ins&gt;||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM 210&amp;lt;br/&amp;gt;runout: KS210A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/ins&gt;Kauder Society&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, Volume Two&lt;/ins&gt;||USA&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Piano Sonata &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;No.2 &lt;/del&gt;– &amp;lt;br/&amp;gt;(ii) Allegro moderato &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[part 2]&lt;/del&gt;&amp;lt;br/&amp;gt;(iii) Sostenuto tranquillo ||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;-&lt;/del&gt;211&amp;lt;br/&amp;gt;runout: KS211A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;Kauder Society &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vol.2&lt;/del&gt;||USA&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Second &lt;/ins&gt;Piano Sonata – &amp;lt;br/&amp;gt;(ii) Allegro moderato &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(end)&lt;/ins&gt;&amp;lt;br/&amp;gt;(iii) Sostenuto tranquillo ||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM 211&amp;lt;br/&amp;gt;runout: KS211A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/ins&gt;Kauder Society&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, Volume Two&lt;/ins&gt;||USA&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Piano Sonata &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;No.2 &lt;/del&gt;– &amp;lt;br/&amp;gt;(iv) Allegretto vivace ||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;-&lt;/del&gt;212&amp;lt;br/&amp;gt;runout: KS212A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;Kauder Society &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vol.2&lt;/del&gt;||USA&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Second &lt;/ins&gt;Piano Sonata – &amp;lt;br/&amp;gt;(iv) Allegretto vivace ||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM 212&amp;lt;br/&amp;gt;runout: KS212A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/ins&gt;Kauder Society&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, Volume Two&lt;/ins&gt;||USA&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Twenty&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;-&lt;/del&gt;Four Melodies &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;– &lt;/del&gt;&amp;lt;br/&amp;gt;2 Melodies (unspecified) ||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;-&lt;/del&gt;213&amp;lt;br/&amp;gt;runout: KS213A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;Kauder Society &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vol.2&lt;/del&gt;||USA&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|'''Kauder''' Twenty Four Melodies &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;for the Piano&lt;/ins&gt;&amp;lt;br/&amp;gt; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;– &lt;/ins&gt;2 Melodies (unspecified) ||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM 213&amp;lt;br/&amp;gt;runout: KS213A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/ins&gt;Kauder Society&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, Volume Two&lt;/ins&gt;||USA&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Notes on issue'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Notes on issue'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The above set was issued in auto-sequence coupling only, in an album with a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;loose&lt;/del&gt;-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;leaf printed insert &lt;/del&gt;containing a note on the composer and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;recorded &lt;/del&gt;works; the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;author is not currently known&lt;/del&gt;. The insert also &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;contained &lt;/del&gt;a photograph of Kallir &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(a &lt;/del&gt;pupil of the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;composer) &lt;/del&gt;and, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;presumably&lt;/del&gt;, a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;brief biography &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;her. &lt;/del&gt;The recording date is not given on the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;disc &lt;/del&gt;labels or insert, but the latter refers to Kauder having written his 'recent Fourth piano Sonata' for Kallir; the &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/uploads/downloads/kauder_pianosonata4_ms.pdf autograph manuscript]&amp;lt;/span&amp;gt; of the Fourth Sonata is dated 18 March 1948, but the recording itself could have been made before the insert note was written. The price of this issue is not known, nor is the location at this date of the Night Music Recording Co. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The above set was issued in auto-sequence coupling only, in an album with a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;pasted&lt;/ins&gt;-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in sheet &lt;/ins&gt;containing a note on the composer&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, the Society &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;its issues, and the &lt;/ins&gt;works &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in this set&lt;/ins&gt;; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;signed 'The Kauder Society', it gives &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Society's address as 48 Jamaica Road, &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://en.wikipedia.org/wiki/Brookline,_Massachusetts Brookline]&amp;lt;/span&amp;gt;, Mass&lt;/ins&gt;. The insert also &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;contains &lt;/ins&gt;a photograph &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and brief biography &lt;/ins&gt;of Kallir&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, described as the composer's theory &lt;/ins&gt;pupil&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. The album cover, insert and disc labels show varying notations &lt;/ins&gt;of the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;volume number: on the cover &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;insert&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;it is&amp;#160; Volume II&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;but on the labels Volume Two.&amp;lt;ref&amp;gt;Many thanks to &lt;/ins&gt;a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;collector in the UK for scans &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the album cover, insert and a disc label&amp;lt;/ref&amp;gt; &lt;/ins&gt;The recording date is not given on the labels or insert, but the latter refers to Kauder having written his 'recent Fourth piano Sonata' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;especially &lt;/ins&gt;for Kallir; the &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/uploads/downloads/kauder_pianosonata4_ms.pdf autograph manuscript]&amp;lt;/span&amp;gt; of the Fourth Sonata is dated 18 March 1948, but the recording itself could have been made before the insert note was written. The price of this issue is not known, nor is the location at this date of the Night Music Recording Co. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''System'''&amp;lt;br/&amp;gt;It is not known which electrical recording system or medium were used. The owner of a copy of this issue has described it as having 'some distortion etc (like Vol I) that suggests to me early tape recording, rather than 'typical' 1940s American problems.'&amp;lt;ref&amp;gt;Personal e-mail, 3 May 2019&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''System'''&amp;lt;br/&amp;gt;It is not known which electrical recording system or medium were used. The owner of a copy of this issue has described it as having 'some distortion etc (like Vol I) that suggests to me early tape recording, rather than 'typical' 1940s American problems.'&amp;lt;ref&amp;gt;Personal e-mail, 3 May 2019&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l91&quot; &gt;Line 91:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 91:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Sources'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Sources'''&amp;lt;br/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Private &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;collector&lt;/del&gt;, UK&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Private &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;collection&lt;/ins&gt;, UK&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Transfer (see below)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Transfer (see below)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/uploads/downloads/kauder_pianosonata2_ms.pdf Manuscript score]&amp;lt;/span&amp;gt; (copyist not identified, possibly the composer) and digitally typeset &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/uploads/downloads/kauder_pianosonata2_digx.pdf perusal score]&amp;lt;/span&amp;gt; of Kauder's Piano Sonata No.2&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/uploads/downloads/kauder_pianosonata2_ms.pdf Manuscript score]&amp;lt;/span&amp;gt; (copyist not identified, possibly the composer) and digitally typeset &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/uploads/downloads/kauder_pianosonata2_digx.pdf perusal score]&amp;lt;/span&amp;gt; of Kauder's Piano Sonata No.2&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l105&quot; &gt;Line 105:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 105:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Acknowledgements==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Acknowledgements==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I am extremely grateful to a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;British &lt;/del&gt;collector, who wishes to remain nameless, for his invaluable help in researching the content of this page. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I am extremely grateful to a collector &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in the UK&lt;/ins&gt;, who wishes to remain nameless, for his invaluable help in researching the content of this page. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>WikiSysop</name></author>	</entry>

	<entry>
		<id>http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;diff=158&amp;oldid=prev</id>
		<title>WikiSysop at 09:13, 9 May 2019</title>
		<link rel="alternate" type="text/html" href="http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;diff=158&amp;oldid=prev"/>
				<updated>2019-05-09T09:13:29Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;amp;diff=158&amp;amp;oldid=157&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>WikiSysop</name></author>	</entry>

	<entry>
		<id>http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;diff=157&amp;oldid=prev</id>
		<title>WikiSysop: Created page with &quot;{| align=&quot;right&quot; | __TOC__ |} This page presents a provisional account and discography of the '''Kauder Society'''.  It is part of the site Classical 'Society' Records by Ni...&quot;</title>
		<link rel="alternate" type="text/html" href="http://nickmorgandiscography.org/index.php?title=Kauder_Society&amp;diff=157&amp;oldid=prev"/>
				<updated>2019-05-03T15:36:42Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;{| align=&amp;quot;right&amp;quot; | __TOC__ |} This page presents a provisional account and discography of the &amp;#039;&amp;#039;&amp;#039;Kauder Society&amp;#039;&amp;#039;&amp;#039;.  It is part of the site Classical &amp;#039;Society&amp;#039; Records by Ni...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{| align=&amp;quot;right&amp;quot;&lt;br /&gt;
| __TOC__&lt;br /&gt;
|}&lt;br /&gt;
This page presents a provisional account and discography of the '''Kauder Society'''.&lt;br /&gt;
&lt;br /&gt;
It is part of the site [[Classical 'Society' Records by Nick Morgan]].&lt;br /&gt;
&lt;br /&gt;
In the late 1940s, two sets of 78 rpm records of compositions by Hugo Kauder were issued in the name of the otherwise undocumented Society.&lt;br /&gt;
&lt;br /&gt;
==The Kauder Society==&lt;br /&gt;
It is not known when the Kauder Society was formed, by whom, for how long it existed, and whether or how it was connected with the composer, teacher and writer &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/about/about-hugo-kauder/ Hugo Kauder]&amp;lt;/span&amp;gt; (1888-1972). The Society's existence is currently attested solely by four records issued in its name in the late 1940s.&lt;br /&gt;
&lt;br /&gt;
In 2002 a new body was founded, the &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/ Hugo Kauder Society]&amp;lt;/span&amp;gt;. Still active, it documents, preserves and promotes Kauder's works and teachings. In 2006 the Society donated its papers to the New York Public Library, where they are held by the Music Division. The NYPL's &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://archives.nypl.org/mus/18414 finding aid]&amp;lt;/span&amp;gt; does not clearly list any items relating either to the older Kauder Society or to the records listed below.&amp;lt;ref&amp;gt;Snyder, Matthew &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://archives.nypl.org/mus/18414 'Hugo Kauder Society records 1911-2006']&amp;lt;/span&amp;gt;, Music Division, New York Public Library for the Performing Arts, n.d.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Kauder Society publications==&lt;br /&gt;
In the late 1940s, two sets of 78 rpm records of Kauder's compositions were produced by the Night Music Recording Co., whose name appears on the labels alongside that of Kauder Society. The albums themselves give no information about the Society. In the absence of this, and of any terms and conditions of membership or publicity material for these issues, it must be assumed that the Society underwrote them in part or in full. Two reviews of the first issue give a (slightly different) price but do not state whether it could be bought retail or only from the Society itself. The second issue apparently went almost completely unnoticed in the press.&lt;br /&gt;
&lt;br /&gt;
The Society is not known to have sponsored or published any printed material besides the inserts which accompanied these two issues.&lt;br /&gt;
&lt;br /&gt;
===Kauder Society Vol.1===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;width: 100%&amp;quot;&lt;br /&gt;
! style=&amp;quot;width: 14%;&amp;quot; | Selection&lt;br /&gt;
! style=&amp;quot;width: 12%;&amp;quot; | Artists&lt;br /&gt;
! style=&amp;quot;width: 6%;&amp;quot; | Format&lt;br /&gt;
! style=&amp;quot;width: 8%;&amp;quot; | Matrix&lt;br /&gt;
! style=&amp;quot;width: 6%;&amp;quot; | Recorded&lt;br /&gt;
! style=&amp;quot;width: 8%;&amp;quot; | Location&lt;br /&gt;
! style=&amp;quot;width: 6%;&amp;quot; | Issued&lt;br /&gt;
! style=&amp;quot;width: 13%;&amp;quot; | Label cat. no. &lt;br /&gt;
! style=&amp;quot;width: 3%;&amp;quot; | Country&lt;br /&gt;
|-&lt;br /&gt;
|'''Kauder''' Sonata for English Horn and Piano – &amp;lt;br/&amp;gt;(i) Prelude&amp;lt;br/&amp;gt;(ii) Intermezzo||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)&amp;lt;br/&amp;gt;[[Bodky, Erwin (harpsichord, piano)|Erwin Bodky]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;NM-105&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 / Kauder Society Vol.1&amp;lt;br/&amp;gt;face no. KS 600-1||USA&lt;br /&gt;
|-&lt;br /&gt;
|'''Kauder''' Sonata for English Horn and Piano – &amp;lt;br/&amp;gt;(iii) Melody [part 1]||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)&amp;lt;br/&amp;gt;[[Bodky, Erwin (harpsichord, piano)|Erwin Bodky]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM-106&amp;lt;br/&amp;gt;runout: 2 NM 106&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 / Kauder Society Vol.1&amp;lt;br/&amp;gt;face no. KS 600-2||USA&lt;br /&gt;
|-&lt;br /&gt;
|'''Kauder''' Sonata for English Horn and Piano – &amp;lt;br/&amp;gt;(iii) Melody [part 2]&amp;lt;br/&amp;gt;(iv) Fughetta||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)&amp;lt;br/&amp;gt;[[Bodky, Erwin (harpsichord, piano)|Erwin Bodky]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM-107&amp;lt;br/&amp;gt;runout: 3C NM 107&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 / Kauder Society Vol.1&amp;lt;br/&amp;gt;face no. KS 600-3||USA&lt;br /&gt;
|-&lt;br /&gt;
|'''Kauder''' Improvization [sic] for English Horn alone||[[Speyer, Louis (cor anglais)|Louis Speyer]] (cor anglais)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;NM-108&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;1 October 1946&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;mid-1947&amp;lt;/div&amp;gt;||Night Music set 105 / Kauder Society Vol.1&amp;lt;br/&amp;gt;face no. KS 600-4||USA&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
'''Notes'''&amp;lt;br/&amp;gt;&lt;br /&gt;
The above set was issued in auto-sequence coupling only, in an album with a loose-leaf printed insert containing a note on the composer and recorded works, written by &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://en.wikipedia.org/wiki/Edward_Lowinsky Edward E. Lowinsky]&amp;lt;/span&amp;gt;, then Professor of Music at &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://en.wikipedia.org/wiki/Black_Mountain_College Black Mountain College]&amp;lt;/span&amp;gt;; the text is reproduced &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/about/reflections-on-hugo-kauder/ here]&amp;lt;/span&amp;gt;. The insert also contained brief biographies of the artists. The recording date is printed on the disc labels, which also give the location of the Night Music Recording Co. as Boston, Massachusetts (although its next issue placed it in Pittsburgh, Pennsylvania&amp;lt;ref&amp;gt;&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://www.discogs.com/Dov-Arres-Haganah-Songs-Of-The-Jewish-Underground/release/9183762 Night Music set 106 'Haganah Songs of the Jewish Underground']&amp;lt;/span&amp;gt;, discogs.com&amp;lt;/ref&amp;gt;). The price was variously given in the press as $4 (''The New Records'') and $4.20 (Gramophone Shop ''Record Supplement'').&lt;br /&gt;
&lt;br /&gt;
'''System'''&amp;lt;br/&amp;gt;It is not known which electrical recording system or medium were used. The owner of a copy of this issue has described it as 'not a good recording, with distortion that smacks of early tape, although the date (1946) seems rather too early - or maybe it's a typical US limiter circuit.'&amp;lt;ref&amp;gt;Personal e-mail, 9 January 2019&amp;lt;/ref&amp;gt; As noted in ''The New Records'' (see below), the discs were pressed on 'non-breakable Vinylite'.&lt;br /&gt;
&lt;br /&gt;
'''Sources'''&amp;lt;br/&amp;gt;&lt;br /&gt;
*Private collector, UK&lt;br /&gt;
*&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://www.discogs.com/Hugo-Kauder-Sonata-For-English-Horn-And-Piano-Improvization-For-English-Horn-Alone/release/12350112 Entry]&amp;lt;/span&amp;gt;, including images of all labels and insert but not album cover, at discogs.com&lt;br /&gt;
&lt;br /&gt;
'''Reviews'''&amp;lt;br/&amp;gt;&lt;br /&gt;
*Durgin, Cyrus 'Recent New Records Feature Music by Chamber Ensembles', ''The Boston Sunday Globe'' [Boston, Massachusetts], 4 May 1947, Section A [Editorial and News Feature Section], p.21&lt;br /&gt;
*de Schauensee, Max(?) in &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://archive.org/stream/TNR15/The%20New%20Records%20Vol%2015#page/n41/mode/2up/ 'Chamber Music']&amp;lt;/span&amp;gt;, ''The New Records'', Vol.15 No.4, June 1947, pp.6-7 (on p.7)&lt;br /&gt;
*Hardy, William H.?, ''The Gramophone Shop, Inc., Record Supplement for August 1947'', Vol.X No.8, August 1947, p.3&lt;br /&gt;
*Singer, Samuel L. 'Recorded Music – Classical and Popular', ''The Philadelphia Inquirer'' [Philadelphia, Pennsylvania], Sunday 26 October 1947, 'Society' section, p.17&lt;br /&gt;
Other reviews undoubtedly remain to be located.&lt;br /&gt;
&lt;br /&gt;
'''Transfers'''&amp;lt;br/&amp;gt;&lt;br /&gt;
A collection of multiple transfers of each side, and of images of all labels, is available at the &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://archive.org/search.php?query=creator%3A%22The+Kauder+Society%22&amp;amp;sort=titleSorter Internet Archive]&amp;lt;/span&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
===Kauder Society Vol.2===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;width: 100%&amp;quot;&lt;br /&gt;
! style=&amp;quot;width: 14%;&amp;quot; | Selection&lt;br /&gt;
! style=&amp;quot;width: 12%;&amp;quot; | Artists&lt;br /&gt;
! style=&amp;quot;width: 6%;&amp;quot; | Format&lt;br /&gt;
! style=&amp;quot;width: 8%;&amp;quot; | Matrix&lt;br /&gt;
! style=&amp;quot;width: 6%;&amp;quot; | Recorded&lt;br /&gt;
! style=&amp;quot;width: 8%;&amp;quot; | Location&lt;br /&gt;
! style=&amp;quot;width: 6%;&amp;quot; | Issued&lt;br /&gt;
! style=&amp;quot;width: 13%;&amp;quot; | Label cat. no. &lt;br /&gt;
! style=&amp;quot;width: 3%;&amp;quot; | Country&lt;br /&gt;
|-&lt;br /&gt;
|'''Kauder''' Piano Sonata No.2 – &amp;lt;br/&amp;gt;(i) Allegretto&amp;lt;br/&amp;gt;(ii) Allegro moderato [part 1] ||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM-210&amp;lt;br/&amp;gt;runout: KS210A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;Kauder Society Vol.2||USA&lt;br /&gt;
|-&lt;br /&gt;
|'''Kauder''' Piano Sonata No.2 – &amp;lt;br/&amp;gt;(ii) Allegro moderato [part 2]&amp;lt;br/&amp;gt;(iii) Sostenuto tranquillo ||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM-211&amp;lt;br/&amp;gt;runout: KS211A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;Kauder Society Vol.2||USA&lt;br /&gt;
|-&lt;br /&gt;
|'''Kauder''' Piano Sonata No.2 – &amp;lt;br/&amp;gt;(iv) Allegretto vivace ||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM-212&amp;lt;br/&amp;gt;runout: KS212A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;Kauder Society Vol.2||USA&lt;br /&gt;
|-&lt;br /&gt;
|'''Kauder''' Twenty-Four Melodies – &amp;lt;br/&amp;gt;2 Melodies (unspecified) ||[[Kallir, Lilian (piano)|Lilian Kallir]] (piano)||10&amp;quot; / 25 cm&amp;lt;br/&amp;gt;lateral disc|| &amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;label: NM-213&amp;lt;br/&amp;gt;runout: KS213A&amp;lt;/div&amp;gt;||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;c.1947/48?&amp;lt;/div&amp;gt;||location unknown||&amp;lt;div style=&amp;quot;text-align: center;&amp;quot;&amp;gt;after March 1948&amp;lt;/div&amp;gt;||Night Music set KS 205 /&amp;lt;br/&amp;gt;Kauder Society Vol.2||USA&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
'''Notes'''&amp;lt;br/&amp;gt;&lt;br /&gt;
The above set was issued in auto-sequence coupling only, in an album with a loose-leaf printed insert containing a note on the composer and recorded works; the author is not currently known. The insert also contained a photograph of Kallir (a pupil of the composer) and, presumably, a brief biography of her. The recording date is not given on the disc labels or insert, but the latter refers to Kauder having written his 'recent Fourth piano Sonata' for Kallir; the &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/uploads/downloads/kauder_pianosonata4_ms.pdf autograph manuscript]&amp;lt;/span&amp;gt; of the Fourth Sonata is dated 18 March 1948, but the recording itself could have been made before the insert note was written. The price of this issue is not known, nor is the location at this date of the Night Music Recording Co. &lt;br /&gt;
&lt;br /&gt;
'''System'''&amp;lt;br/&amp;gt;It is not known which electrical recording system or medium were used. The owner of a copy of this issue has described it as having 'some distortion etc (like Vol I) that suggests to me early tape recording, rather than 'typical' 1940s American problems.'&amp;lt;ref&amp;gt;Personal e-mail, 3 May 2019&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
'''Sources'''&amp;lt;br/&amp;gt;&lt;br /&gt;
*Private collector, UK&lt;br /&gt;
*Transfer (see below)&lt;br /&gt;
*&amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/uploads/downloads/kauder_pianosonata2_ms.pdf Autograph manuscript]&amp;lt;/span&amp;gt; and digitally typeset &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[http://www.hugokauder.org/uploads/downloads/kauder_pianosonata2_digx.pdf perusal score]&amp;lt;/span&amp;gt; of Kauder's Piano Sonata No.2&lt;br /&gt;
&lt;br /&gt;
'''Reviews'''&amp;lt;br/&amp;gt;&lt;br /&gt;
No review of this issue has been located to date. The only known mention of it in the press occurred in a report of the conferral by the Brooklyn Institute of Arts and Sciences of its American Artists Award for 1949 on Kallir.&amp;lt;ref&amp;gt;'Lilian Kallir, Pianist, Wins 1949 American Artists Award', ''The Brooklyn Daily Eagle'' [Brooklyn, New York], Sunday 10 April 1949, p.33&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
'''Transfers'''&amp;lt;br/&amp;gt;&lt;br /&gt;
'Gordonskene' &amp;lt;span class=&amp;quot;plainlinks&amp;quot;&amp;gt;[https://pastdaily.com/2018/07/08/lilian-kallir-plays-music-of-hugo-kauder-circa-1946-past-daily-weekend-gramophone/ 'Lilian Kallir Plays Music Of Hugo Kauder – (Circa) 1946 – Past Daily Weekend Gramophone']&amp;lt;/span&amp;gt;, 8 July 2018, pastdaily.com.&lt;br /&gt;
&lt;br /&gt;
===Unissued Recordings===&lt;br /&gt;
It is possible that other recordings were made for the Kauder Society but not issued. To date, none are known.&lt;br /&gt;
&lt;br /&gt;
==Acknowledgements==&lt;br /&gt;
I am extremely grateful to a British collector, who wishes to remain nameless, for his invaluable help in researching the content of this page. &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Kauder Society]][[Category:Record labels]][[Category:Record 'societies']]&lt;/div&gt;</summary>
		<author><name>WikiSysop</name></author>	</entry>

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